1554-1640 Italian Jacopo da Empoli Location Italian painter and draughtsman. He lived and worked in Florence all his life, and he followed Santi di Tito in the return to the clarity of the Florentine High Renaissance. He absorbed the ideas of his more innovative contemporaries and became one of the most popular painters of altarpieces for churches in Florence and Tuscany. He was also a distinguished still-life painter and received many commissions from private patrons, among them the Medici. Empoli painting is distinguished by simple, lucid forms, strong colour and direct and clear interpretation of the subject.  Related Paintings of Jacopo da Empoli :. | The Integrity of St. Eligius | The Sacrifice of Isaac | Still Life with Game | St.Ivo,Protector of Widows and Orphans | susanna i badet |
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CAVALLINO, Bernardo
Italian Baroque Era Painter, ca.1616-1656 Italian painter and draughtsman. He was the most individual and most poetic painter active in Naples during the first half of the 17th century. He painted mainly small cabinet pictures, on canvas or on copper, for dealers and for highly cultivated private patrons; he had few public commissions and apparently never painted any large-scale decorations for private or ecclesiastical patrons. His subject-matter is largely derived from the Old and New Testaments, the Apocrypha, Tasso and from Roman history and mythology. Documentary evidence for his life and work is almost non-existent, and he remains enigmatic and elusive as a historical figure. Yet as a painter he is strikingly distinctive, uniting a refinement and virtuosity of brushwork with an intensely naturalistic observation of surfaces, and complex and dramatic compositions with an extraordinary brilliance of palette. Only eight pictures are signed, initialled or inscribed with Cavallino's name. No works are documented and only five may be tentatively identified with pictures in mid-18th-century Neapolitan collections described by Bernardo de Dominici.
Paul von Franken
(1818- 1884 ) - Painter painted Paul von Franken. View of Tiflis in 1866
Gerard van Spaendonck
(22 March 1746 - 11 May 1822) was a Dutch painter. Gerard was born in Tilburg, an older brother of Cornelis van Spaendonck (1756-1840), who was also a renowned artist. In the 1760s he studied with decorative painter Willem Jacob Herreyns (also known as Guillaume-Jacques Herreyns) (1743-1827) in Antwerp. In 1769 he moved to Paris, and in 1774 was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Françoise Basseporte (1701-1780) as professor of floral painting at the Jardin des Plantes, and shortly afterwards was elected a member of the Academie des beaux-arts. Gerard van Spaendonck painted with both oil and watercolors. He contributed over fifty works to the Velins du Roi, which was a famous collection of botanical watercolors possessed by French royalty. From 1799 to 1801 he published twenty-four plates of his Fleurs Dessinees d'apres Nature (Flowers Drawn from Life), which were high-quality engravings for students of floral painting. Today, Fleurs Dessinees d'apres Nature is a highly treasured book on floral art. In 1788 Spaendonck was appointed adviser to the Academie, and in 1795 he became a founding member of the Institut de France. In 1804 he received the Legion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte. He died in Paris.